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Tuesday, May 14, 2013
Friday, May 3, 2013
I Am (Not) My Writing
I
am my writing. I have been told this is a lie, yet every tap on the
keyboard feels like a needle invading my finger veins, draining drops of blood. I am my writing.It is not hard to
understand why this statement seems so much more like truth than a lie. Since
childhood, I have felt closest to God with a pen in my hand, outpouring my
reflections and prayers in a cozy journal that never made me feel unsafe or misunderstood.
When I pray out loud, my sloppy words waddle around in distracted circles, but
when I write to God, it feels like he takes over my pen and guides my hand to
record the truth that gets lost in the wind when I try to speak. For a glorious
stretch of time between my first journal entry and the end of high school, I
was not my writing. Writing was a joy, an escape to exotic locales and vivid characters.
Writing was a gift, a bowl into which I could pour all my messy emotions and
observe them to get a proper perspective. But when college began, something
changed.
As I was thrust into the world of
discussion-based classes alongside students who seemed to know what they wanted
to say and how to say it, I began to feel painfully incompetent. When I tried
to contribute in class, my sentences seemed awkward and broken, filled with
stops and starts and misused verbs. I would chastise myself for answering a
question with “yeah, it’s pretty cool,” when the guy sitting across from me
threw around words like “Aristotelian” with a yawn. I had thoughts, I had
ideas, but when I opened my mouth, I was as articulate as a caveman, and as I
compared myself to my classmates I wondered if I was somehow mentally
deficient. Outside the classroom, I felt caricatured by those around me,
carelessly squished into a box labeled “quiet, responsible, and a little
boring.” In this new school where I
desperately wanted to find friends, I didn’t feel perceived as who I really
was, the goofy girl who loved people and adventures and traveling to foreign
countries.
It
was with a pen that I found the power to fight back against the one-dimensional
identity that I thought was being forced upon me. When my TGC class was
assigned a “This I Believe Essay,” I lit up when I realized that the assignment
offered me the opportunity to share about my experiences in Russia, which were
adventurous and daring and anything but quiet and responsible. I felt immense
satisfaction as I passed in the finished product, knowing that whoever read it,
even if it was only my professor, would see who I really was.
But
to my delight, it wasn’t only my professor who saw it; I was assigned to have a
conference on the paper with my TGC fellow. It was an understatement
to say that I had a crush on this senior T.A. I was convinced that he was everything
I wanted in a man; with his intense gaze and depth of insights into suffering,
love, and the good life*, it wasn’t just three flights of stairs that made my
heart race on my way to class. But alas, I was cursed with the freshman-ness
and inarticulateness that made me invisible to this intellectual demigod. I
trembled in nervousness as I hiked my way up to the third floor of the chapel
to meet him, and four years later, his words to me still resonate: “it was one
of the most polished essays. It had an enthralling
tone! And I know I shouldn’t say this…. But, it was my favorite.” I’m sure
my eighteen year old face was glowing as if he had just asked for my hand in
marriage. I am my writing, I thought.
My sophomore year, I stood before my creative
writing class and read a poem that was my masterpiece: it perfectly articulated
all that God had been teaching me, and the form and structure reminded me of Edgar
Allan Poe. I will never forget the bewildered, confused look on my professor’s
face after I finished reading. His wide eyes and open mouth seemed to betray
that he absolutely hated it but was trying not to let it show. An awkward
silence lingered for a few seconds and I took my seat, defeated. I am my writing. This summer, a friend read
the same poem and he loved it, expressing amazement and appreciation for my
thoughts and the way I had worded them. He “got” my writing, therefore, he “got”
me.
My
experiences in college have shown me that the belief that I equal my writing is
a dangerous equation, a mode of measurement as capricious as New England
weather. Sometimes the words flow
effortlessly, but most of the time, I feel like I can’t string together
sentences worthy of a third grader. Nonetheless, writing has become a defense
weapon, a shield against my fears that I do not measure up. It has become an
advertisement for myself, trying to convince others that I am worth their time.
And after four years of striving to prove myself through two dimensional black
and white pages, I have begun to realize that my idolization of writing has
squished me into a smaller box than the one I was trying to escape.
Ephesians
2:10 says that we are God’s workmanship, a word that comes from the Greek “poiema,”
where we get the term “poem.” We are God’s poems, masterfully sculpted works of
art whose stories cannot be constrained to something as paltry as a page. To
try to wrest the pen from my Creator in a small-minded attempt to make a name
for myself blinds me to the breathtaking story he wants to write my life into. So
as I graduate, I want to transform this pen, to use it not as a weapon, not as
a billboard promoting Hope Johnson, but as a gift, remembering that though writing
is a tool God has given me to process this life, it is not life itself. Taking
my eyes off myself and fixing them on the author of a much greater story than
could fit on a page frees me with truth that I am not my writing. No, I am His writing.
*love, suffering and the good life are three things Gordon College's first year seminar really likes to talk about. Alot.
*love, suffering and the good life are three things Gordon College's first year seminar really likes to talk about. Alot.
Thursday, May 2, 2013
Remembering the Future
Dedicated to my Beloved Grandmother, Marie Ann Tingley, 1935-2013
“She
loved.” The past tense is cruelly abrupt. There is no apparent beauty in the
transition from the smooth, continuous sounds of the present to the hard stops
of the past. “She loves” loses it infinite, unfettered s and replaces it with
an uncaring, blunt d. You can’t hold the sound of a d. Try it. It’s impossible.
~
There
is a little house tucked away in a grove of pines, far away from the road.
Knicks-knacks decorate the wood-walled living room, and there is always hard
candy in the colorful porcelain box on the coffee table. We don’t go there very
often, but when we do, there are usually lots of sweets and cable TV and relatives
I’ve never met. We always go there on Christmas Eve, where we open presents
around a fake pine tree with jewel toned glass balls. The living room is
toasty, and I feel happy and full. The roaring vent at the foot of the plushy
carpeted stairs is my favorite; I like to stand on it and feel it puff up my
forest green dress like a hot air balloon. I don’t know her yet, not really.
~
The
past tense is unacceptable. Mom and I walk by her car, and “her tires need air”
slows into a little cry at the realization that we have to alter a lifelong
grammar. “She is a wonderful- was a wonderful woman.” “She is- was so gentle.”
~
Grammie
lives with us now, and I am nineteen. There is a little thrift store down the
road, and it is our tradition to go out on weekends when I’m home, “messin’
around” as she calls it. We love to paw through piles of musty garments, determined
to find a hidden treasure. When I’m not there, she likes to fill up her bags at
Marshalls in thought of me. One time she brought me home a dress that had been
marked down to 89 cents. We both know that that is a great victory. Most of my
jewelry comes from her. Whenever I get a compliment on my black and white pearl
necklace or on my chunky jeweled pendant, I proudly respond that my Grammie
Tingley gave it to me. She has an eye for pretty things.
She
complains about getting unwanted attention when we go out on the town. “Do you
have guys starin’ at you all the time?” I smile and shake my head. “Well, I’ve
got guys starin’ at me all the time! Golly! It’s the red hair…” She feigns
annoyance, but I can see past it to the mischief in her light green eyes. When
she is at home, in the little in-law apartment connected to our guest room, she
plays with her big Persian cat, Caesar. “He’s just an old love bug,” she loves
to repeat as she strokes her faithful pet of fifteen years. And when he jumps
on the table or lets out the occasional snarl, the loving look remains on her
face. “You little donkey!” she says as she wags her finger. In the summer, she
sits with us on the deck and tells the story of how her mother had to hide the
grapefruits from her father when she was a little girl. He loved grapefruits,
and he always ate them up right away. It drove her mother crazy.
~
“Marie,
who was a devoted wife, mother, grandmother and friend, will be remembered for
her love of gardening, her sparkling green eyes, her flowing red hair and her
gentle friendliness. She had a knack for making friends wherever she went. She
loved with a generosity that is rare, lavishing gifts, time and kindness on her
family and friends without a thought of receiving anything in return. Marie
brought beauty and life wherever she went, and her quiet love will never be
forgotten by the many people whose lives she touched.”
The obituary seems obsessed with persuading me
that the present reality doesn’t line up with the present tense. The thing is,
I wrote part of the obituary, but my own words still haven’t convinced me that
my grandmother needs to be shoved into an ending that she is not yet ready for
herself.
~
It
is the February of my senior year, and Grammie has just gotten home from three months
of cancer treatment. She still puts on vintage jewelry and a coat of red
lipstick every morning, even though she is too weak to hang up the dozen
dresses she bought in Florida. We talk about graduation, about how nice of a
day we hope it will be, about how her arm hurts.
“This
stuff, yuck!” She motions towards the potassium powder drink she is reluctantly
sipping. “Your mother says I have to drink this stuff to get better, but yuck!”
She makes a face. I laugh softly, and I believe her with all my heart.
She
lets me go through her closet and I find a flowy, golden dress that is perfect
for Gordon Globes. “Doesn’t it just look beautiful on her,” she says to Mom,
then reminds us that her arm hurts. Grammie sits on her bed with me as I splay her
antique jewelry on the coverlet, and I can’t choose between pearls and a golden
pendant. “Why don’t you just wear both?” She suggests. I look in the mirror and
see that she’s right.
Her
arm hurts, and we’ve worn her out, and we pack up the jewelry. I hug her
goodnight and I am shocked by her sudden frailness. Early Monday morning I go
over to her place and give her a quick goodbye. “I love you Grammie. I’ll see
you later.” She smiles softly, and I am sure that later will be soon.
~
The
past tense is harsh in its reality, but hope tells me that it is malleable,
somehow temporary. Hope urges me to press an ear to the wall and eagerly
eavesdrop, waiting for the moment when а new language will flood the senses with an understanding
that outshouts the tyranny of time. For now, the phantom pains of losing her
strike at the most unexpected moments, in the most unexpected ways, but the understanding
that I don’t truly understand gives me a gentle peace. So I will believe that
“she loved” can turn to “she loves,” and then finally, to a heavenly form that
I can’t yet articulate, but will someday roll off my lips with ease.
For Whom the Bell Doesn't Toll
This piece was recently published in the spring 2013 issue of the Vox Populi, a publication of Gordon College.
A brassy peal emanates from the corner of campus, spreading
its eerie power in a shockwave throughout Gordon’s domain. For just a second,
the campus stops. Chemistry majors look up from their lab work, soccer players
on the quad turn their heads, studiers in Jenks lose their place in Our Father Abraham. Some sigh, some crack a cynical joke, and
some shrug their shoulders. Despite our individual reactions, for just a
moment, we are united. Gordon is rich with legend, and few Scots haven’t
claimed the tales of the car at the bottom of Gull pond or of Teddy Roosevelt’s
horse buried under the quad as part of their heritage. The mysterious lore
surrounding Gordon’s history certainly plays a role in shaping our identity as
students here, but nothing seems to compare to the metal monument that lounges
proudly in its gazebo throne, observing passersby under its sway. The cultural
icon that has the power to bring us together for better or for worse is that
wonderful, terrible old bell*.
We see its power
in conversations, humming at a constant din throughout the four years, first
starting off wistfully, hopefully, then morphing gradually into a senior
cynicism or a lifeless joke. The bell makes regular cameos at Gordon Globes,
providing a source of comic catharsis for those who find themselves bemoaning
the infamous Gordon ratio or the rabid desperation of Gordon girls. The bell is
occasionally rung by the reckless non-respecter of its sacred power, but the
rest of us know that only under one circumstance may you ring it and leave
unscathed.
The bell’s renown
reflects the fact that Christian colleges, and Christian culture in general, is
infamous for framing marriage as the cardinal goal of life. Our generation is
known for pushing back against the pressure to marry young, but still, the
cultural constructs of American Christianity loom over Gordon culture,
encouraging unhealthy interaction between the sexes. Many people I have talked
to are familiar with the awkward apprehensiveness of male-female interactions
at Gordon. The vicious cycle goes like this: Christian girls have a reputation
for singling guys out as possible husband material; thus, guys fear that too
much friendliness on their part could be mistaken as a marriage proposal.
Assuming that Gordon men hold this view of them, many women also mete out their
friendliness and smiles in controlled doses for fear that they will project a
message of desperation. I have seen and experienced the frustrating awkwardness
of this cycle again and again, and I have also seen a striking contrast in my
two times studying abroad, where I was able to seamlessly befriend members of
the opposite sex without fearing that they would think my attentions were a
desperate plea for a ring.
Not only is the
emphasis on marrying young damaging to relationships now, but it sets us up for
disappointment when we actually marry. With the best of intentions, Christian
culture spreads the propaganda that marriage is the answer to our problems and
the beginning of our lives. As such, marriage is one of the prime idols of
single Christians everywhere, an antidote to loneliness and a license for
guilt-free sex. And like all idols, it doesn’t deliver what it promises. The National Center for Health Statistics reports
that 60% of couples who marry between the ages of 20 and 25 decide to divorce,
10% more than the national average. This is not to say that there should be a
ban on young marriage, but it does illustrate that at least 60% of young people
tying the knot discover that marriage is not the cure-all that they had
envisioned.
But to be fair, perhaps
the lore of the bell is casting a shadow of untruth on the nature of Gordon
students. Although perceptions about the opposite sex’s intentions do seem to
inhibit cross-gender friendships, the quest for a ring does not define the
majority of the students I know. I do not see girls paralyzed by fear that they
won’t find “the one” at Gordon. I do not see lazy young men, too indifferent to
commit. No, I see men and women pursuing their God-given callings with
direction and confidence. I see students investing in lives in the city of
Lynn, I see RAs committed to loving their floors, I see blossoming mentorships
between faculty and students. In short, I see people invested in deep
relationships whether or not they lead to the altar.
I admit that when
I first heard the legend of the bell, I hoped that one day I would join the
ranks of ringers. But now that four years have gone by without anything
resembling that type of relationship, I can say with confidence that I have no
regrets. Statistics say that for most of us, marriage will eventually come. But
regardless of that fact, there is no use in spending four years chasing a fantasy
when the opportunity for deep relationships is at its peak. So love the legend
of the bell. Laugh, roll your eyes and pass on its magic to the classes to
come. Just don’t let it take a toll on your perspective.
*The
bell on Gordon College's campus is only to be rung by couples who have
just gotten engaged. Lore has it that if you ring it under any other
circumstances, you will have 7 years of bad luck, or worse, 7 more years
of singleness...
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